This widely acclaimed film from Soviet director Elem Klimov is a stunning, senses-shattering plunge into the dehumanizing horrors of war. As Nazi forces encroach on his small village in present-day Belarus, teenage Flyora (Aleksei Kravchenko, in one of the screen’s most searing depictions of anguish since Renée Falconetti’s Joan of Arc) eagerly joins the Soviet resistance. Rather than the adventure and glory he envisioned, what he finds is a waking nightmare of unimaginable carnage and cruelty—rendered with a feverish, otherworldly intensity by Klimov’s subjective camerawork and expressionistic sound design. Nearly suppressed by Soviet censors who took eight years to approve its script, Come and See is perhaps the most visceral, impossible-to-forget antiwar film ever made.

Kenji is a shy part-time moderator for OZ, the virtual reality world that powers everyday life, until pretty and popular Natsuki recruits him to be her fake boyfriend. While posing as an affluent suitor to Natsuki's family, a rogue A.I. program steals his online identity, and Kenji is accused of hacking OZ and causing real world catastrophes. As the destruction in OZ throws Natsuki's family into disarray, Kenji must unite his newfound connections to overcome an impending cyber apocalypse.

Against a backdrop of stunning countryside vistas and virtual spaces bursting with color, SUMMER WARS is a timeless epic that explores life in the digital age from Academy Award-nominated director Mamoru Hosoda (BELLE).

Please Note: This version of the film marked 'w/Short' in the programme will play with the 9min short IN THE MOOD FOR LOVE 2001. This will screen immediately following the main feature credits. Please stay in your seat if you would like to watch the short film. 

IN THE MOOD FOR LOVE (2000) - Hong Kong, 1962: Chow Mo-wan (Tony Leung Chiu-wai) and Su Li-zhen (Maggie Cheung Man-yuk) move into neighboring apartments on the same day. Their encounters are formal and polite—until a discovery about their spouses creates an intimate bond between them. At once delicately mannered and visually extravagant, Wong Kar-wai’s In the Mood for Love is a masterful evocation of romantic longing and fleeting moments. With its aching musical soundtrack and exquisitely abstract cinematography by Christopher Doyle and Mark Lee Ping-bin, this film has been a major stylistic influence on the past 25 years of cinema.

IN THE MOOD FOR LOVE 2001 (2001) (9 min Short) - Initially conceived as one third of a triptych about food, In the Mood for Love was expanded into a stand-alone feature that won immediate recognition as a modern-day classic. Another third—intended as the “dessert,” as Wong Kar-wai has put it—was, until now, only screened during his masterclass at the 2001 Cannes Film Festival. Now available in wide release for the first time, In the Mood for Love 2001 demonstrates the director’s masterful ability to generate palpable atmosphere and striking characterizations on a miniature canvas—with In the Mood for Love stars Tony Leung Chiu Wai and Maggie Cheung Man Yuk once again providing the sizzling chemistry— evoking the mystery of transient, unexpected connections in the modern city through his inimitable romantic touch.

Plays as part of IN THE MOOD FOR LOVE 25th Anniversary Edition. In theatres only!
 

At the age of seventy, after years of consolidating his empire, the Great Lord Hidetora Ichimonji (Tatsuya Nakadai) decides to abdicate and divide his domain amongst his three sons. Taro (Akira Terao), the eldest, will rule. Jiro (Jinpachi Nezu), his second son, and Saburo (Daisuke Ryu) will take command of the Second and Third Castles but are expected to obey and support their elder brother. Saburo defies the pledge of obedience and is banished.

In a corrupt, greed-fueled world, a powerful alchemist leads a messianic character and seven materialistic figures to the Holy Mountain, where they hope to achieve enlightenment.

An American desert town, 1955. The annual Junior Stargazer competition is spectacularly upended by world-changing events.

Warner Bros. Pictures present an ‘unrestored’ 70mm print of the director’s groundbreaking science fiction epic!

"For the first time since the original release, this 70mm print was struck from new printing elements made from the original camera negative. This is a true photochemical film recreation. There are no digital tricks, remastered effects, or revisionist edits. This is the unrestored film - that recreates the cinematic event that audiences experienced fifty years ago." - Christopher Nolan

Stanley Kubrick’s dazzling, Academy Award®-winning* achievement is a compelling drama of man vs. machine, a stunning meld of music and motion. Kubrick (who co-wrote the screenplay with Arthur C. Clarke) first visits our prehistoric ape-ancestry past, then leaps millennia (via one of the most mind-blowing jump cuts ever) into colonized space, and ultimately whisks astronaut Bowman (Keir Dullea) into uncharted space, perhaps even into immortality. “Open the pod bay doors, HAL.” Let an awesome journey unlike any other begin.

Please Note: Our 70mm screenings of '2001: A Space Odyssey' follow a partictular presentation procedure;

- Overture (3mins / Music)

- 1st half of feature (86mins)

- * Intermission* (usually 10 for quieter shows, can be 20mins for busier ones)

- Entracte (2mins / Music)

- 2nd half of feature (54mins)

- Exit (5mins / Music)

- Total time; approx 170mins (though this is dependent on Intermission length)

5 Academy Award Wins – Best Picture, Best Director, Best Screenplay (Original), Best Editing, Best Actress

Anora, a young sex worker from Brooklyn, gets her chance at a Cinderella story when she meets and impulsively marries the son of an oligarch. Once the news reaches Russia, her fairytale is threatened as the parents set out for New York to get the marriage annulled.